"If you go to my mom’s homestead, the wall looks like a topographical painting, mud filling the cracks, pink paint, it’s easy and natural, and that’s the way I want to work, with that naturalness, that ease."
– Asemahle Ntlonti

Marking the end of Parallel Play v.2, Kyle Morland and Asemahle Ntlonti join invited practitioners in conversation to reflect on the artists' time in A4's Gallery and their expanded practices.